Heavily advertised with glorious pictures of flying dancers – Shen Yun has always been something I’ve been meaning to see. It comes to Montreal annually – so even though it’s gone on the greener pastures for this year – you can still catch it next year – or even this year if you live elsewhere.
All of which explains why I went – and why I’m blogging about the experience.
For those of you who haven’t seen the heavy-handed marketing efforts of Shen Yun – let’s me explain the concept. This is a 40 performer epic event staged at the big hall at Place des Arts. The marketing features lovely Chinese ladies in flowing outfits free leaping apparently in mid-air. I was totally expecting something out of Spider Man – or at least Peter Pan.
But the reality was just a bit different. First off – the staging is extremely centered – that means if you were on the sides, you got a cropped view. We solved that problem in the 2nd half by simply changing seats. Which gives you a good idea of the amount of vacant seats available. The row ahead of us was almost empty, as were all the lodges and as far as I could see – most of the balconies. Anyway – if you go – get centered seats!
And there are no flying feats. Lots of leaping – and some pretty incredible feet over head flying flips – but to convey the feeling of flying – they used the huge video screen behind the stage. Performers would jump off a raised area at the back of the stage – and disappear from view – only to re-appear almost instantly on the big screen. Their image would fly around – change shape, whatever – and then eventually the person would re-appear on stage. A modern adaption of the Laterna Magika , for those familiar with Expo 58.
Like the Laterna Magika – sometimes the magic worked – sometimes it didn’t. I particularly loved the segment with the Monkey King and the Evil Toad. The story is the traditional good conquers evil – but the character of the Toad was played with absolute stellar skill. And the movement between the stage and the screen made excellent sense.
Similarly – the story of Ne Zha Churns the Sea used the combination of Video and stage extremely well – the actor on stage would wave his magic hoop – the ocean on the screen behind him would react. Neat.
So there were bits and pieces that were outstanding – memorable, interesting, beautiful.
But no new ground was broken, and for the price – that seemed wrong. The stories were all short vignettes – which added up to a lot of theatre, but left one feeling a bit disoriented. A bit like going to a Juste Pour Rire Gala – some of the comedy is great – some just well – not so good.
Most disappointing to me personally however, were the two heavy-handed Falun Dafa sections. I know that this ‘spiritual meditation discipline’ (taken straight from the very expensive, tri-lingual program) is persecuted in China – but I found the black shirted ‘bad boys’ with their painted red hammer and sickle logo in poor taste. And I’m not a fan of heavily promoting any religion – so the dramatically staged final piece with Lord Buddha appearing left me cold. Similarly the 4 singing segments – clearly songs that resonate with Falun Dafa thinking, while well performed, were too heavy-handed because they were unexpected.
Would I go again? No. Would I suggest that you go? If you got seriously discounted tickets (free would be best), and you had no other option – then it’s not an unpleasant way to spend an evening.
But great? No.