Category Archives: Theatre Reivews

Drop Everything to see Jacques Brel is Alive and Living in Paris


Seriously –  immediately call and get tickets to see this stunningly delicious piece of theatre. A group of very talented young Montreal actors (2 male, 2 female – plus 4 musicians and a sound crew) used Indiegogo to raise the money to make this event possible – and it is up to us – their audience – to support their efforts.

http://www.mainlinetheatre.ca/fr/spectacles/jacques-brel-is-alive-and-well-and-living-in-paris

For those unfamiliar with Jacques Brel, he was a composer and singer of the like of Leonard Cohen – with the same down and beaten story telling motifs, great lyrics, and wonderful rhythms, but without the religious overtones. Jacques Brel composed his songs in French, but they were translated into English many years ago – and for most of us, the ones we recognize are the English versions.

This production by In Your Face alternated between English and French, with a bit of Flemish thrown in with “Marieke”. But it isn’t just about the songs – it’s about what the performers with their live musician backup are doing while they are performing the songs. This behind the singer action is often the highlight of the piece. Another highlight – Jacques Brel’s songs were written to become more and more emotional as they go on – and the older of the male performers was particularly committed to that escalation of energy, commitment, and anguish.

It would be impossible to fairly pick one favorite song – standouts included “When I am Dead”, “Carousel”, “Brussels”, “If we only had love”, “Au Suivant”, “Sons of” – there are so many brilliantly executed pieces to enjoy – but I walked out humming “Marieke”.

Go – please go. You won’t be sorry – and who knows when another opportunity to enjoy such an over-the-top theatrical piece will come our way.

(I was in the Audience on Friday, March 23)

Trad and Cornered – 2 lousy plays in 2 Evenings. Bummer, eh?


I read with great interest Pat Donnelly’s long article in the Gazette – wondering if the fact she’d seen 4 good plays in as many night was a sign of a resurgence in the English Montreal Theatre scene. While I’m all for a resurgence – i don’t think that seeing 4 good plays in a week is a record – I’ve seen play after good play for years.

Unfortunately, while Pat saw great plays – I suffered thru 2 plays in 2 evenings that were both questionable. Both  were so slow-paced they actually had me sleeping. Not good people.

The first was ‘Cornered’ at my absolute favorite English theatre Venue – the Bain St. Michel. I’ve seen such great theatre there – and I have the greatest respect for Guy Sprung. But Cornered was directed by Paul Van Dyck – and it was a terrible let-down. For starters – the accents of the actors was so heavy – so ‘put-on’ that it left a great many of the customers the night I was there wondering what was going on. And the answer was – not much . It’s a rather pointless story, with little to recommend it, spoken by good actors putting on such heavy accents as to render the story incomprehensible to an English speaker. And if English wasn’t my first language – which was the case for most of the underwhelming small crowd of people there on Wednesday night – well – it was a complete waste of time.

My 2nd loser – the heavily advertised, and well re-reviewed ‘Trad’ at Centaur. The set was lovely, the music fun – but again – the actors put on fake Irish accents – and unfortunately – in doing so rendered huge sections of the play almost incomprehensible. I got the idea – they are both old – and thus live in a past that is more exciting than the current present. But was it absolutely necessary to tell the story in accents I didn’t understand. What is the point. It didn’t make me think better of the characters – it just made me go to sleep. Again – audience discussion tended to agree with me – This was not a great production. It wasn’t even a good one. Sorry Sidemark and Centaur. You may have delivered for Pat – but you didn’t deliver for me. Or the people sitting in front of me.

But good news – There’s more English theatre here in Montreal this week – including the Mahalia Jackson tribute at the Segal Centre that has garnered rave reviews from several of my friends. Lots to hopefully enjoy. Just please, please, please – don’t put me to sleep.

2 Words to Avoid when Reading Descriptions of upcoming Theatre Events


As declared several time before, I love theatre – and I’m not particularly picky about what I go to see. if it’s in English – I’m keen to see what’s what.

That said – there are 2 words that when used to describe an upcoming theatrical offering have a tendency to convince me to go elsewhere.

1. Innovative. As in an Innovative look at a story, or an Innovative group of people.

What exactly are we innovating? Theatre is about telling stories – are we not going to be telling a story? Are we going to do without sets, without actors, without costumes? What about theatre are you planning to change? I just can’t see how an innovation is going to better my theatre experience. I suspect you termed it Innovative because you couldn’t think of a better word to describe what you are doing. And that’s really off-putting.

2. Experimental.

This one is really scary – and for many of the same reasons I shy away from Innovative. Are we going to be experimenting with sets? with stories? with the acting. How can you experiment with acting – you do it well, you do it poorly – what kind of experiment is needed?

I’m not afraid of works by new authors, in fact – that’s a lot of fun. But don’t experiment with my time and money – learn how to do it first – then present it to me. I really don’t want to have to suffer thru your experiments

Mi Otro Yo – Kinda weird – some liked it – but not for kids


We were split on this recent offering at Tohu (see my Tohu blog a few days ago – or check out the Tohu website – http://tohu.ca/en/home.html)

For the kids in the audience – the results were rather mixed. And since there were some fairly disturbing parts of the performance – I’m not surprised.

One really neat piece that confused and upset the kids had the two very talented performers moving along a red wall – leaving their hands in place as they went. Cool effect. For a moment you’d have one head – 4 hands – and then a 5th hand would appear holding a sign. Very neat. What upset the kids was that after they were done with this piece – 3 of the ‘hands’ stayed behind. One little kid kept asking her father – but he left his hands…

In another brilliant sketch – the two actors put on a suit of clothes – creating a visual third person composed of the right hand and right leg (acting like a left leg) of one fellow  and the left hand and left leg (acting like a right leg) of the other. I think you’d have to have seen it.

Two people in our group thought the entire piece was awesome – I personally thought that there were brilliant bits – and much less brilliant bits.

Parts I didn’t care for – the tumbling with a book – yes it’s hard to do – but visually boring. And the piece I really found pointless – and way over the top disturbing – the part that involved pretending to kill a chicken – and then having the chicken come to life and ‘eat’ the guy. I guess it might have been good theatre – but I found it upsetting – and very kid-inappropriate.

Wouldn’t go to see them again – bottom line. But it wouldn’t discourage me from going to Tohu later this year when the student’s perform.

“The Matchmaker” – Dawson 3rd Studio students give it all they’ve got – and it’s quite a lot!


I love going to the theatre – you just never ever know what will strike your funny bone – bring a smile to your face – or tears to your eyes.

What I truly love to see, however, is heart and soul on the stage. When the performers do their very best to convince me that this is their very best – I’m pleased, entertained, fascinated, and enthused.

And Dawson Year 3rd Studio Students delivered.

http://www.dawsoncollege.qc.ca/2012-2013/3rd-studio-the-matchmaker

The pay as you go performance of “The MatchMaker” I attended was packed. Every seat in the lovely Dawson theatre was taken. The sets were definitely at Dawson standards – they managed to convince you that you changed location – by just moving bits and pieces around. My favorite ‘directing’ bits were the interludes while the crew moved furniture in the background. In one interesting piece of theatre business – the cast grabbed suitcases, brought them to the ‘train station’ and the proceeded to use them as seats. Some sound effect later – they were off – jiggling down the line – going from the country into the ‘big’ city. Great bit of business – and carefully timed to cover up the set changes.

The performances, as can be expected of studio students, were far from professional quality – but what they lacked in polish, they made up in a keen desire to please the audience.

Like many ‘amateur’ performances I’ve seen and enjoyed – the cast grew stronger and stronger as the evening progressed – and the rousing final act was a delightful farce – enjoyed by everyone. (Thanks Adrienne for the spell check!)

Next  up at Concordia is the 4th Studio students in “The Cone People”.

http://www.dawsoncollege.qc.ca/2012-2013/4th-studio-the-clone-people

After just a few years of training – these guys and gals are good. And like their less experienced fellows – generally bring to the stage an enthusiasm for being there that can be lacking in the performances of more jaded professionals.

Prices are great too.

Yo Tohu – Stripped down Cirque – but so much fun!


I’m such a sap for the Circus – both old school (with animals) and new school (acrobats, jugglers, and the like). Which is why Pista del Tango was such a disappointment. How dare you ruin the Circus for me?

Thank goodness for Tohu. I always assume that everyone knows what I’m talking about when I say Tohu – but based on the lack of audience on Thursday (2/27/2013) night, I’m guessing that maybe I need to start off with a – how to find the Tohu.

Where/What is Tohu

Start by checking out their website – there’s both an English and a French version – you can get tickets, check the dates of different performances, and get a list of all the free stuff that happens there. I can personally recommend just about anything that they put on – I’ve never had a bad time – and frequently had a great time. This is NOT Cirque de Soleil, despite the physical closeness – those tall buildings to the right as you drive in are the Montreal headquarters of the Cirque de Soleil – and clearly there’s money and financing cross-overs. But Tohu is clearly independent – and rather feisty about that.

http://www.tohu.com

Festival Mondial Du Cirque De Demain

This is the third or fourth time I’ve seen these guys perform – and it is always a huge pleasure. Truly some of the best young (and not so young) performers from around the world come to Montreal as part of this group. There is no pretense at a story, or a theme, or even much of a set. Instead – this is a presentation by 9 different performing teams – each one of which has one at least one award – and in some cases – several awards. So we’re talking the best of the best at what they do. And what they can do is nothing short of astounding. We were 4 – and each of us had a different top act. My husband’s personal favorite was the Starbugs – 3 nutty guys – clowns with tremendous physical abilities. I just couldn’t stop laughing. One highlight – the fake ‘fight’ that started with the 2 guys in ‘contact’, and continued as they got further and further apart. What a hoot. My daughter loved the Chinese juggler/plate spinner who managed to take spinning objects to an entirely new level – and ended his act by pulling a ‘dragon’ out of his basket and spinning that! Another favorite was the Trapeze artist – who did things on a trapeze including several multiple spins high above the audience, unattached to the trapeze at all, that I’d never seen before.

Then there were the 2 male contortionists. I can’t find words to describe their act – except to say that sometimes they looked completely normal, and other times left me sitting with my mouth completely open in stunned surprise.

I particularly like the first act – a quick presentation by the students in the circus school. A teaser to encourage people to get tickets to their graduation performances in April – something I totally recommend that all my followers – and all their friends – do immediately. There are 2 different productions – they split the class in half, and each group gets their group of performances. I’ve done both – and never been sorry.

Finally – I wouldn’t do a fair review of this wonderful evening if I didn’t mention the guy (huge) and girl (tiny) team. The guy essentially tossed his partner around like she was putty – and she let him do it! Her grace was extraordinary, and his control when tossing her was so light and easy – you could easily fool yourself into thinking – I could do that. Word to the wise – Nope, you probably can’t.

Positive Stuff: Cafe at Tohu – little known but completely wonderful place to grab a grilled cheese sandwich, a bag of delicious popcorn, or even a Latté before a performance, Free stuff before the performance – in this case – a pile of circus toys that you could try out – including a tightrope to walk and plates to spin, and inexpensive parking – Just $5. Negative Stuff: Don’t count on the scenery and costumes to blow you away – that’s not the point, There’s not a bad seat in the house – but there are some side seats that are best avoided, and it ends late if there’s an intermission.

Go – Enjoy – Tell’m the Soup Lady sent ya.

Innocence Lost – The Steven Truscott Story


I admit it – I didn’t know anything about Steven Truscott before watching this play today at Centaur Theatre here in Montreal. But man – now I want to know more.

It’s a completely fascinating story about justice gone completely haywire in 1959 when a 14-year-old boy is accused, found guilty and sentenced to death for the rape and murder of a 12-year-old girl. The story is told from the point of view of one of the other children in the story – 13-year-old Sarah. The timeline from the discovery of the body to the sentencing is under 3 months – but the impact of what happened continues to still be felt today – over 50 years later.

The stage set is very minimal, but the acting is so believable that it is easy to get lost in the story – to feel the outrage, frustration, and justifiable bewilderment of the people involved. The director, talented Roy Surette, pulls out all the stops to make the tiny cast playing a multitude of parts both believable and sympathetic. Among many other cute bit of stage business is the use of ribbons, building blocks and load binding belts to draw a map of the town, complete with river, bridge, and roads. Very well done.

The bad news – the run at Centaur is over today. The good news – the play is going on the road. Next stop – Ottawa, Ontario and the National Art Center.

http://nac-cna.ca/en/englishtheatre/event/2673

So all is not lost. If you live in the Ottawa area – or if you can manage a visit there before March 16, 2013 – do try to include getting tickets to this outstanding piece of theatre. And if you don’t live or visit Ottawa – no problems. You can read about the case on-line here:

http://www.cbc.ca/fifth/truscott/

I guarantee that you will not be bored…

La Pista Tango vs the Montreal Gospel Choir – No Contest


Sometimes you get what you pay for – and sometimes you don’t. This was one of those times when the high-priced option lost out – big time.

Last night (Feb 22, 2013) – the Montreal Gospel Choir performed for $12 a ticket at Notre-Dame-de-Bon-Secours in Old Montreal. The concert was simply wonderful fun. Not every solo singer was perfection, and the acoustics left something to be desired, but all 40 plus members of the choir put their heart and souls into providing outstanding entertainment. It was simply a rollicking good time. My favorite part – aside from the conductor (Carol  Bernard)’s willingness to have the audience participate – big time  – was the giant image of Mary that overlooks the audience. Somehow I’d like to think that she was having a good time too. For an hour and half (way to short a time if you ask me), the audience sang, clapped, stomped their feet, and generally enjoyed watching this talented group of singers strut their stuff.

Not nearly as much fun was La Pista Tango (Feb 21, 2013) – a high-priced waste of time and money held in Theatre Maisonneuve. For some unknown reason, the powers that be decided that watching Tango wouldn’t be good enough – so instead of just concentrating on dancers, about 90% of the performance was juggling and balancing acts. The problem – we in Montreal are spoiled. We have the Cirque and Tohu if we want to watch acrobats and jugglers – and the performers at the Cirque and Tohu are uniformly top-notch. On the other hand – the performers at La Pista Tango looked like amateurs in comparison. They just didn’t ‘do’ it for me – and judging from the lack of applause – they lost most of the rest of the audience as well. Too bad. Wonder if I can get my money back.