Awesome – Boy was I glad I went. Check this out.
Send a card! PLEASE… I adore cards… I got 64 for my 64th birthday – let’s beat the record this year! (And late cards are completely acceptable..)
Thanks for following me – I totally love comments – I love feedback, and did I say something about cards?
PS: People who already sent cards – and you know who you are – Thanks!
Hugs
Leslie
aka: TheSoupLady
aka: Montreal Madame….
Ok – I know you need more details – but trust me on this – the bottom line is Yummy.
The Budapest is a tiny storefront restaurant that we fell into the other night. We were intrigued by the combination of flowers, tablecloths, and smiling hostess/chef. I generally won’t walk into a restaurant that is empty, but we were short of time (on our way to a fringe play), and the prices looked great. Every entre was under $10 – and the list, while short, sounded delicious – Schnitzle, Goulash, and Chicken Cordon Blue. What can you lose.
Our waiter, surprisingly, announces that he is normally the violinist! On Friday and Saturday nights – reservations required – they offer a special 3 course meal for $25 – and there’s live Hungarian Music. We immediately start thinking of people we can invite who would just love that.
This night – being a Wednesday – was music-less – but we were ok with that. We quickly ordered one each of the 3 main entries, told our hosts that we were a bit pressed for time – and were asked if we’d brought our own wine. Oh – it’s a BYOB. Make a note for next time!
Reassuring noises immediately started coming from the tiny kitchen – and it’s clear our meal is being prepared to order. Now that’s great news – both Chicken Cordon Blue and Schnitzel are tons better made fresh.
The meal arrives, it looks great – and the portions are prefect. The Goulash is served with fresh spaetzle, pasta made by dropping the dough into boiling water. It’s fabulous – and the Goulash was clearly made long long ahead – exactly as Hungarian Goulash should be.
My Schnitzel portion is huge – and served with roasted potatoes (simple and so good), and a bowl of purple cabbage that was absolutely delicious.
The third entre – Chicken Cordon Blue, a chicken Schnitzel stuffed with ham and cheese, also comes with the potatoes and the cabbage. Oh my, are we loving dinner.
For dessert we order one Palachinta – a thin crepe folded over apricot jam and then served with hot chocolate sauce. Enough said. The waiter is amazed that we only want one for the 3 of us – but dinner was so filling! And we still need to stay awake for the theatre.
To say we rolled out happy is an understatement. I’m definitely coming back to the Budapest!
Where you sit makes all the difference!
A man on a chair that towers over the heads of all around him has a different perspective on life – and “Chairs, a Parable”, the new play by Sebastien Archibald takes a radical approach to the idea of perspective.
The play starts simply enough – 3 guys are sitting on the floor – all equals, all sharing in the tasks and experiences that have gone before – and lie ahead. A shadow play behind them shows the passage of time – and evantually becomes a window on the world outside of the theatre stage.
Drawing heavily on works by Pinter – and with the occasional nod to Theatre of the Absurd, the actors in “Chairs” craftily draw the audience into their world view.
Once the first chair – with it’s drastic change in perception – comes on stage – the relationships between the 3 characters begins to change – in increasingly radical ways. At first it’s 2 on the floor against the one with the chair. But eventually it dawns on the 2 that they could build a 2nd chair, slightly shorter than the first one. But it isn’t clear which of them should get the ‘seat’.
Eventually, one is ‘promoted’, and now you have a ‘superior’, a ‘supervisor’ and a worker. The character in the middle position twists and turns trying to see the world from both sides – sometimes successfully – sometimes with very discouraging results.
To describe the play as facsinating would be an understatement. But it’s not just well performed, it asks important questions in a very approachable way. Throughout the whole play I kept thinking about how I look at life – am I guilty of looking at the world only from my point of view? I suspect that most of us do that without realizing it – so isn’t intriguing to watch a play that through the approachable conceit of chairs exposes our inability to recognize our own blinders.
“Chairs, A parable” being performed twice more here in Montreal – on Saturday June 22, 2013 and Sunday June 23, 2014. Make an effort to see it – you will not be disappointed.
Some houses are big, some houses are insanely big – and then there’s the Biltmore. It defies description today – probably the most common reaction when George Vanderbilt – grandson of Cornelius “Commodore” Vanderbilt – decided he needed a pied-a-tere in a remote corner of Ashville, NC.
Talking about a good idea that got carried away. The Biltmore has 240 rooms (including closets and toilets according to our guide), an indoor pool, an indoor garden, servant quarters by the dozens – and no residents. The Vanderbilt’s only really lived there for 35 years – 2 years longer than I’ve owned my home. It took 5 years to build, many more years to furnish – and was opened to the public by Cornelia Vanderbilt (age 30) in 1930, mostly I’m guessing because the family had simply run out of money to maintain it. In any case, shortly afterwards she divorced her husband, left him to raise their 2 kids and tend to the monster of a house – and went to England. There she changed her name and lived quietly for a long time before she died. Today the home is still owned by her kids and grandkids.
All of which reminds me that money just doesn’t make you happy. Even lots and lots of money.
In the Wikipedia write-up – the authors speculate that George probably spent his entire inheritance on this house – an idea that while appealing, just doesn’t seem right. The family owned at least 4 other homes – so while this one might have been horribly expensive – in those days – it was probably considered just extravagant – but not ruinous. Nope – I think their lack of business smarts did them in, not just the house.
Anyway – our tour. We opted to not only pay for admittance ($49 each) – and get an audio head-set (another $10) – but to take not one but two of the topic specific tours ($17 each). I’d say we’d Vanderbilt out! The Butler’s tour was up first – and our cheerful and extremely knowledgeable guide lead us upstairs and down – showing us the room where the housekeeper lived, explaining the intercom system, letting us admire the freight elevator that even the staff couldn’t use, and letting us peek into Edith Vanderbilt’s toilet, bath and shower. One oddity – there was no sink. In those days – servants brought you water in a pitcher and you washed in a bowl. Kept people employed I’d imagine.
After the tour – we ate lunch in the Stable Cafe – in a horse stall of course. I shared a huge bowl of Mac n’Cheese with my sister. It was totally yummy. Then it was on to the audio tour of the house itself.
While the butler’s tour was interesting and informative – the house tour left you stunned. How could people imagine such a place – then execute it. Four floors plus a basement, glorious art, stunningly beautiful views (it was a great day – I’m sure that helped), huge pieces of furniture. The main dining room – used for family meals as well as banquets was huge – 3 stories high, hung with tapestries bought from Europe, and for musical entertainment – a huge organ.
We toured the bedrooms, admired the wall coverings, gasped in delight at the books in the library, admired the magnificent tile work in the indoor pool, and wondered at the distance between the master bedroom, the wife’s bedroom, and the childbirth room. I suppose if you have to change clothes 4 and 5 times a day – you need a lot of private space. (Oh I can’t wear that – it’s for eating lunch – and I’m going to stroll in the gardens – how silly of you!)
Our tour us through the kitchen, the pastry kitchen, and most interesting – the laundry room. I particularly loved the drying racks for sheets. Ever wonder how often they changed the sheets in those days? We did – and we asked. Daily was the answer! Imagine a team of laundry people whose only job was to keep the bed linen cleaned. Can you imagine – and no electric washers and dryers either. All done by hand.
We took so long – they closed the house around us – and we got to watch the highly trained and extremely informative staff get searched before heading home.
As the security guard explained – it’s for their benefit. If something goes missing – I can say – I searched them – they are clean.
We finally got up sufficient umpf to leave – but realizing that we hadn’t seen the gardens, or even finished up touring the house – we decided to take the $10 next day option. We shall clearly be Vanderbilting again tomorrow.
“Those who don’t know history are doomed to repeat it.” Edmund Burke (1729 – 1797)
I think Edmund was onto something here – Knowing the past (not worrying about it – that’s different) isn’t a bad thing, it’s a good thing if you use it to help in the present!
And Koreans love their heroes – and two of the most famous, and most revered are King Sejong and Admiral Yi Sunshin. There are statues of them here and there, just about every museum mentions something about them, so it shouldn’t be a surprise that they each rate an entire free exhibit, interestingly enough located in the basement of the Seoul Museum of Art. I’d seen signs for these exhibits when we’d first hit Seoul – but it took us almost our entire visit to get up the energy to go. I’m really sorry we waited. The exhibit on Admiral Yi Sunshin is fabulous, and while King Sejong’s isn’t quite as outstanding – it is remarkably informative.
First King Sejong. He was the fourth King of the Joseon Dynasty, he reigned from 1418 to 1450 (31 years!) and is most famous for having created the Korean alphabet (Hangeul). Just imagine that – until King Sejong – despite having their own language, Korean were using the Chinese pictogram system with its thousands of different images. King Sejong declared that Koreans deserved something better – and he created it with the help of advisers. He even wrote books and music in the new alphabet to help make it popular.
The Koreans went from having to learn tens of thousands of different symbols to learning just 28. Those 28 symbols (only 24 are in use today) were created by King Sejong, based on the way Korean is spoken. They are said to resemble the way your mouth moves when you are speaking Korean.
This I knew from countless other museum exhibits – what I didn’t know about the reign of King Sejong was that it was a golden age of invention. Under his inspiration, uniquely Korean musical instruments were created, uniquely Korean music was born, rain gauges were invented to help farmers, he had a manual written in his new alphabet to help farmers, there were multiple military advances, he inspired people to create astrological instruments, etc., etc.
Comparison note: Queen Elizabeth I reigned from 1533 to 1603 – 100 years later!
King Sejong passed many laws that were – for the time – extremely revolutionary, including one that allowed new mothers, even if they were slaves, time off work to care for their babies.
If you are inspired to learn more about King Sejong – and can’t hop on a plane to fly to Korea and visit this exhibit – at least check out the Wikipedia article about him:
http://en.wikipedia.org/wiki/Sejong_the_Great
He is amazing. Exhibit was pretty good too.
But it was the exhibit on Admiral Yi Sunshin that I found the most intriguing. Remember – the Intrepid Traveler is a Docent in Montreal – so how museum exhibits are designed is almost as important to us as the information they are trying to convey. This exhibit neatly demonstrated almost all the newest ideas about how to ‘teach history’ – in one relatively tiny space.
Quick history – Admiral Yi Sunshin lived from 1545 to 1598. He created the ‘Turtle Ship’, a completely new warship and was instrumental in defeating the Japanese at sea during the Imjin War (the Japanese Invasions of Korea 1592-1598). In one of his most famous sea battles – he faced 131 Japanese war ships with only 13 of his own – and won. Not only did he win, but he didn’t lose a boat – and his ships destroyed 33 of the Japanese vessels before the Japanese retreated. Clearly an outstanding strategist.
He was demoted several times (not the easiest guy to get along with I’m thinking), he was actually stripped of his rank and imprisoned at one point, and yet he came back again and again to fight for his country. He was killed by a bullet during his last battle.
But it’s not this history, neat as it is, that made this exhibit so impressive – it was how they tried to make it interesting that most impressed me.
There was an interactive electronic picture book that was appeared in the language of your choice, and was read to you – in your language, as you ‘flipped’ the pages electronically. Cool.
There was an interactive game that put you and a friend on the rowing oar of a ‘turtle ship’ – invented by Admiral Yi Sunshin – chasing a fleeing Japanese vessel. There was a wooden model of a turtle ship (50% size) that you could enter to see what if felt like inside (very claustrophobic), there were 2 very realistic guns and 2 slow loading cannons of the period that you could ‘fire’ at attacking ships, there was a movie about one of his famous battles with sound effects on multiple screens with English sub-titles that ended with the screen disappearing and the model of the turtle ship suddenly appearing (remember – it’s huge), in front of you – as if you were being attacked.
There was even a 4D battle movie, about 8 minutes long, that featured puffs of air, water spray and moving chairs while you watched a naval battle unfurl in front of you. Well worth waiting to see.
2 Impressive Exhibits – both free, one opened on October 9, 2009 (Hangeul Day), the other opened on April 28, 2010 in honor of Admiral Yi Sunshin’s date of birth – and both running continuously since then. I’d rate these a must see if you visit Seoul – and I wouldn’t be alone there – they have had at least 230,000 visitors since they opened!
Signing off to go watch a Korean version of Glee (see tomorrows blog) – The Soup Lady and the Intrepid Traveler
I can’t sleep on airplanes – in 1969 I was on a propeller plane, crossing the Atlantic ocean, when I watched one of the engines catch on fire. The plane did a slow 180 degree turn, we landed in emergency mode at Shannon airport and spent 3 days waiting for parts. Not something you forget – so no sleeping on planes for me.
Why the story? Well – I just flew from Korea to Montreal – 12.5 hours in a plane with nothing but the video system as company. So I watched 5 movies – and this was easily, hands-down, my favorite. It’s a must see movie if you travel to countries where you don’t speak the language – or if you live in a big city and have ever run into a tourist trying so hard to manage without a clue. Trust me – this movie is an attitude changer!
Here’s the link to trailer: http://www.youtube.com/watch?v=fnvfVKxu6oU
I leave it to better users of Google to figure out how to watch the movie – I’m pretty sure you can do it – I’m just not that good at video links!
On to the review.
The story line of “English – Vinglish” is simple – a Hindi wife and mother of 2 children living in India is embarrassed by her lack of knowledge of English – a lack that is made critical by the fact that her sister’s daughter is getting married in New York City, and as auntie she is expected to help organize the event. This puts her in New York City for 5 weeks – with literally no grasp of English and not much to do. So despite her conservative up-bringing, and very shy nature – she decides to take English lessons, one of those ‘Learn English in 4 weeks’ immersion courses. The story then follows the class and what happens there and contrasts it with what is happening in her family life, both in New York and in India.
Why did I love the movie? Because I just experienced exactly the things they so carefully show her trying to survive. Going thru immigration, ordering a meal at a restaurant and having to ‘see’ the food to order, getting flustered if the service person rushes you, and worse, getting embarrassed when you realize your stupidity is holding up a line.
Been there – done that!
The Intrepid Traveler and I didn’t have the heroine’s ability or desire to learn a language (Korean in our case) in under 5 weeks – but we did learn to avoid lines – to wait till there was a break before attempting to place an order, knowing that it might take us a bit longer. And we got really messed up on the ‘metro’ system – it’s not easy to know which train to get on – thank goodness for the kindness of strangers. Even on our last day in Seoul – someone over heard us saying where we wanted to go and kindly directed off the ‘wrong’ train and onto the right one.
Like the heroine of “English – Vinglish”, we know the palatable relief you experience when suddenly someone speaks to you in your language! You immediately go from being an idiot – to being intelligent.
The movie takes the bird-eye view on her classroom situation, and if you’ve ever taught, you can readily appreciate how frustratingly hard it is to learn to communicate complex thoughts in a foreign language.
Watching the movie – and thinking about how terribly hard and scary it can be to travel in a country where you don’t speak the language – is a bit of a game changer. And you might even be nicer the next time you realize that a visitor to your home town is having a challenge. Trust me – they will appreciate the smile, and the effort to help them help themselves!
Signing off – the Soup Lady and the Intrepid Traveler.
The Black Theatre Workshop – also known as Theatre BTW for obvious reasons – traditionally offers a Discovery Series Performance – a one night a year in the spring ‘reading’ of a new play by an Afro-Canadian playwright. I’ve attended at least 3 of these – and found them consistently entertaining. They are always held in the cafe of the MAI building on Jeanne-Mance – a stone’s throw from McGill and St. Laurent.
I was quite thrilled to be attending another one of BTW’s public readings on April 15th. I was a bit concerned about the title – “Eating Pomegranates Naked” – but I will admit to being hard pressed to explain the title after having ‘heard’ the play. Perhaps I should have gotten up my courage and asked why “Pomegranates” and why “Naked” during the Q&A after the performance.
How does a ‘reading’ differ from a play I hear you mutter? Well, a reading – at least as interpreted by the folks at BTW – means limited reversal time, no need to memorize, no sets, no costumes, and an ‘up to the performer’ attitude towards the amount of ‘drama’. All this said – these are talented performers – and they aren’t going to just stand up there and read. Nope – these performances are very ‘theatrical’, which means that the lack of costumes and props focuses your attention on the facial expressions and nuances in the voices of the performers. The result is an intriguing performance blending low-tech with high drama.
The action starts at a dinner party thrown by 2 of the characters – and through their conversations, and through brief glimpses of their lives as couples and friends, throws a spot light on one of the key concerns of this group of 30 somethings – Having Children. To have or not to have – that is the key question, along with the complimentary concern – Can and Should you have children. Having listened to my kids explore exactly these same concerns – while slightly different in some of the details, I can feel for the conflict that the thoughts of children raise.
For one couple – the revealing discover that one of them can never parent a child is devastating, to another couple a series of mis-carriages has changed the meaning of parenthood completely, and to a third, the impossibility of finding a mate in order to have children has become emotionally overwhelming. As pairs of characters regroup to engage is one revealing conversation after another, their ‘woe’s’ mount up to insurmountable heights.
Fascinating.
Obviously – it is too late for you to hear the reading – it’s done. But the play is being produced as part of Toronto’s SummerWorks festival – and I suspect will end up on stage here in Montreal before long. Keep your eye’s peeled.
But more importantly – make it a promise to go to the next in the Discovery Series – sometime in April 2014. It’s a lot of fun – it’s generally well advertised – and if you visit the BTW website – you can even sign up to be notified by email.
http:www.blacktheatreworkshop.ca
While we were in Seoul, the LEEUM Museum was putting on what might be one of the best ‘special’ exhibits I’ve even seen. It’s too late to see it in Seoul – it’s gone as of June 2, 2013 – but something this good will surely be re-appearing at a Museum near you. Keep your eyes peeled!
The theme of ‘Mise-en-Scene’ is theatre – as it applies to moving images, stage sets and the like. Leaving aside the ‘blab blab’ of the curators – the resulting collection of works by assorted artists was both intriguing, unforgettable, and surprising.
The first major piece is a series of 12 video monitors by Adad Hannah – each showing a bit more of a scene. In the first – there is a simple close up of a woman’s face and a man’s hand. In the next monitor – the camera has pulled back just a bit, showing more of the man’s hand. As the camera apparently pulls back further and further, more of the scene is revealed – you gradually realize that the man is turned away from the woman, and is actually looking at another woman who has just entered the room. In the final monitor, you see that in fact the entire scene is a scene within a scene – there is another camera man, a prompter, sound crew, etc. At the end of the installation is the room itself. You are left wondering what you were thinking when you saw the first few monitors – thinking about thinking in the Buddhist vocabulary.
The next several pieces are works by Jung Yeondoo. In all of them – there is a trick – not everything you see in the final ‘photograph’ is real. For example – one image is of a woman apparently sitting in a boat on a lake. But alongside the final image is a photograph of how the first image was created – the lake is a backdrop, the lady is real, but the boat is a flat cut-out prop. In another series – the first photograph is a battle scene – an explosion with dirt flying, 3 men running for cover, a fourth man being blown away. But the reality is that only 2 men are real – the dirt is being spread from above, the rest of the scene – including the tank – are again cut-outs. These are so cool.
We also got to see several of the works from the Feast of Trimalchio by AES+F. Check this out on the internet – these are huge format photographs with 20 or more people taking part. The final photographs are created by taking pictures of small groups of two to 6 people – then pasting the individual pictures together. The theme is also interesting – a decadent roman festival set in modern times. The background is a modern resort with a beach, housekeeping maids, golf pros, chaise lounges, and – true to the theme – decadent looking customers. The final pictures are replete with detail – the construction method intriguing.
There were also 3 video sections.
The first by Eve Susman and the Rufus Corporation is an 89 second video that captures the action just before and just after the scene captured in Velazquez’s las Meninas. Look it up if you do not know the reference, but to help you out – here’s the picture. Now just imagine all those various characters – from the artist to the dwarfs – coming to life.
The original painting shows a members of the Spanish Court – and dates from 1656. The painting shows people looking in different directions, some towards the artist, some away – and even shows the artist himself in front of the easel. What the video does is show all the same people – dressed exactly as they are in the painting – but moving around and interacting with each other. At one precise moment – it all snaps together into the painting – but then the performers continue to move – deconstructing just as the finished constructing the famous painting.
The 2nd video was even more intriguing. Done by Yang Fudong, it is 7 different movie screens – each showing a different view of a specific landscape with a cast of interesting characters. The characters move in and out of the different screens, things behind them change positions and travel also from screen to screen. Filmed in black and white, and completely open to any and all interpretation, it is again a challenge to your thought processes. What did you think was going on – did you expect what happened to happen. Are you predicting what will occur – or do you not see the screens as connected. Consider how interesting – art that makes you think about thinking.
The final piece – by Zin Kijong – is the hardest to describe. The viewer is in a space between 2 parts of the installation. On one side is a series of models – dioramas that capture a single moment in time. In front of them is a track on which 2 cameras are placed, each one slowly moving past the models. On the other side of the space are 2 video monitors – each showing the ‘view’ of one of the cameras. The models have been designed to create a story in the mind of the watcher – again – making you think about what you are thinking.
So – keep your eyes open for exhibits by any or all of these artists. There work is outstanding. I just can’t believe how fortunate the Intrepid Traveler and I were to wander into this Special Exhibit. And how glad we were that we did.
Signing off – The Soup Lady and the Intrepid Traveler.
Contemporary Art Museums are always a bit of gamble. Sometimes you win – sometimes you lose. This one was a winner. One of the best Museums we’ve seen in Korea – and maybe one of the best I’ve ever seen. World Class in every respect. Like the grading system in Harry Potter – Exceeds Expectations.
The building – actual 3 different interlocking buildings – are worth a look-see just on their own. As you can see from the photograph that Jill is holding – on the left is a rectangular building with windows, in the middle ground is the brown building designed to remind viewers of a fort (on the left) and a pot (on the right). On the extreme right – labeled memories of the future, is the third part – a lopsided jigsaw of black walls. Under the green grass in the middle (behind Jill and the ‘silver’ ball sculpture) is the main lobby of the museum.Plus, inside the first building is a suspended concrete black box (apparently the first of its kind) that holds an entire traveling exhibit.
What you can’t see in the photo Jill is holding – but you can see in my picture is the gigantic Hyatt that got built just behind the Museum, and literally dwarfs it.
Trust me – seeing is much better than trying to describe.
But it’s not about the outside of a museum – it’s about the inside – and this one has insides to die for! We got the digital guide – a Samsung smart tablet that allowed you to see videos of the objects and rotate them at will, link to further information, plus provided an audio guide – and a guide to the artist with a bit of their history. Bottom line – coolest guide I’ve ever used. And it was controlled wireless by the art work – you moved close to a piece – it began to talk to you. Move away – and the next piece started to ‘chat’. Way cool.
Of the 5 distinct exhibits – 3 permanent, 2 temporary – two were completely outstanding – of the do not miss this – variety. The other 3 exhibits were good – just not amazingly awesome great. My plan – I’ll review the Permanent one in this blog – then cover the ‘traveling’ exhibit – which was amazing – in the next blog.
So – Outstanding Exhibit 1 – Permanent – “Modern Art”. This was 3 floors (80 pieces) of outstanding art, extremely well ‘curated’ in the audio guide – but clearly labeled by Artist, Date, and Title in the Museum itself. On the top floor were the works by the Korean contemporary Artists – names that I didn’t recognize of course – but art I won’t soon forget. There was a glorious scene of mountains that combined Korean Classical penmanship with modern sensitivities to create a scene full of movement and drama. I didn’t need the guide to tell me to admire the dramatic curves of the path, the stream with its nude bathers, the rocks, the fog, or the mountains. Stunning. Another favorite on the third floor was called something like ‘The Modern Woman’ in Korean. It featured a drawing of a very typical middle-aged Korean peasant woman showing the traditional effects of the hard life of a farmer (wrinkled skin, chunky body, thick muscular arms and legs) holding up a ‘modern’ dress about 6 sizes too small. East meets West, Expectation meets Reality. Traditional confronts the Future. Very powerful, very simple, unforgettable.
On the 2nd and first floor were a mix of works by international acclaimed artists and internationally known Korean artists. I only have time and space to describe a few of these amazing pieces.
There were 3 works by Mark Rothko, meaningful because I saw the play ‘Red’ (the story of Mark Rothko) in Montreal just before leaving the city. There was a wonderful series by a Korean artist who took clothes racks and decorated them to reflect the current state of Korean confusion – modern vs traditional, appealing junk vs ‘mom’s’ boring conservative tastes. Very interesting.
I also liked a gigantic cyborg woman, hung dramatically from the ceiling, and a simple piece of just a large rock and a sheet of iron. The contrast between natural and man-made – and your ability as the viewer to move around and within the piece made it very captivating – way more interesting than I can easily explain. I also liked a large pentagonal mirrored surface that fractured any image – creating an interesting play on the term – mirror.
The majority of the pieces were well-lit, easy to see and to enjoy. One exception, and I hate to be negative, was an installation called ‘Death’ that was composed of several thousand pills. The problem? To protect the installation, they had used several large sheets of glass. Since they were highly reflective – the result was the piece across was reflected so strongly that it was almost impossible to see the pills.
On the other hand – a pair of life-sized ‘models’, cunningly made by pasting photographs on the appropriate body part were so well position in a corner that it was hard to realize they weren’t alive. On top of these pieces, there was an Easter Egg by Jeff Koons, a statue by Alberto Giacometti and a piece by Andy Warhol.
I always think that if I see 2 or 3 pieces I enjoy – I’ve done well. But in this one part of this museum, at least 2/3rds of the art was if not wonderful, at least approachable. Having the audio guide helped of course.
Come back tomorrow to hear about an even more impressive part of the museum – a traveling exhibit called ‘Mise-en-Scene’.
Signing off – The Soup Lady and the Intrepid Traveler.
Jungang market is described on the map as a ‘fairly famous conventional market’, but to my mind – it was the quintessential market of Korea. Just large enough to qualify as a market, but small enough to remember which stalls were where! I loved it.
The market covers an area of roughly 4 city blocks – but it’s on 3 floors – we pretty much stuck to the main floor – which had at least one, and often 4 or more – examples of everything. For instance – there’s an awesomely delicious typical chicken dish here in Sokcho – Dak-gangleon – or deep-fried spicy chicken with a sweet sauce. It is finger-lick’n good. I’m no fan of KFC – but this stuff was amazing. The contrast between spicy and sweet was so good, I keep wondering how I can bring a box home to Montreal. There have to be at least two dozen stalls selling this stuff – each stall has it’s signature box, its deep fryers, its special sauce. But it doesn’t take a lot of mental effort to realize that the stall with the continuous lines is the one you want to buy from! We couldn’t figure out how the other guys stay in business, this one stall claimed so much of the ‘chicken’ shopping crowd!
But the Jungang Market isn’t just about chicken – it’s about fish and huge fruit and lots of other goodies!
That’s a Giant Pacific Octopus – we saw live ones in the aquariums and in the fish tanks, and boxed ones like this one ready to be taken home for dinner. I can not even begin to imagine how they are caught – but they sure were huge!
Speak of huge – look at the size of the apples (or is it a pear?). According to the son of the Intrepid Traveler, these fruits taste more like a pear than an apple – but regardless of taste – that’s a huge piece of fruit!
That’s a chestnut – and yes – it’s the size of my fist. I tried some roasted from a vendor just inside the market gates – and they were some of the best I’ve ever tasted. Fresh, no bad spots, super sweet. The son of the Intrepid Traveler admitted that they were so good – he might even revise his opinion of chestnuts.
So – if you keep the fish alive and in a tank – if they don’t get sold – you can toss in fish food – and sell them tomorrow. We saw Squid (above), flat fish we think were in the flounder family (below), and two of the huge fish with giant mouths – your guess is as good as mine on what kind of fish that is. I really wonder who will be brave enough to buy him – or his brother in the same tank…
There were also giant red snow crabs (I snapped a picture of one trying to make a get-away – going from the fire into the frypan I think!).
I’ve yet to taste one – even though the lower part of the market features stalls with grills – and apparently they will cook up your fancy up for you – no charge!
Couldn’t resist the sock display – aren’t they adorable?
The hit of the market was clearly young Sophie – at 3 months old she looks a lot like a tiny Buddha – and we never passed a grannie that didn’t come over to pinch her cheeks. They would even take her away from Chris to get an extra cuddle.
I think Sophie showed great style and grace here – never fussing, never complaining – just taking in the oohs and ahs like it was her due!
The delicious food options were virtually unlimited – there were fried veggies and fish – including shrimp that were battered and deep-fried with not only their shells on – but their heads! So definitely munch carefully.
And for those of you wondering if their were veggie options – of course there were! Here’s what we think might have been cucumbers – or maybe they are squashes?
We tended to stick to tomatoes and bean sprouts – at least we know what those were! And for just $1 = you got enough for at least 2 meals. Such a deal.
Just outside the market – marking the entrance are two bronze statues. I did not care for the one of the bull – but the one with the fish really spoke to me of Sokcho, Fishing, and the hard life people in the area have had.
Its only in recent years that this area has economically taken off – and Korea is putting in big money in infrastructure here, from sidewalks to proper highways. So if you are coming – come soon – or even the Jungang Market will be changed beyond recognition.
Signing off – The Intrepid Traveler and the Soup Lady
Musings and Mutterings of a Montreal Madame 